Hitchhiker

Hitchhiker

The light of the early dawn was disconcertingly blue. This was not a time for humans.

Mike switched on the kitchen light, only further reinforcing the absurd impotence of the dismal morning sky.

Feet scuffle.

Fridge handle.

Milk.

Scuffle.

He leaned half over the counter, eating some porrige. Or grits. Or oatmeal or something. Whatever. Now he would not die.

The car was cold; the roads were open. Streetlights were ambivalent. Mike hit ‘next’ on the shuffle cue a dozen times before realizing he was looking for silence.

He couldn’t remember what he’d been thinking about.

Whenever he listened to a book on tape, Mike pictured the voice talent sitting on a stool under a spotlight in the middle of a massive black-painted studio, caressing a worn copy of the book and miked to the teeth. That’s actually how he pictured all the music he listened to as well; everything performed under this one solitary spotlight, nothing before or after or outside. Except the Beach Boys.

He had no idea where the Beach Boys performed, but it sure wasn’t that spotlight. The beach?

That was what he’d been thinking about.

Red light.

Red light.

Yell-Red light.

Green light.

Batman.

The man dressed as Batman ran out in front of Mike’s accelerating car and gestured for him to stop. Mike did. The man gestured for Mike to roll down his window.  Mike didn’t.

“I need a ride!” yelled the man dressed as Batman.

“I’m sorry, I need to go,” replied Mike lamely. Pretty lamely.

“Do you know who I am?” yelled the man dressed as Batman.

“A man dressed like Batman?”

“I’m the actual Batman, and I need your help to save the city.”

When Mike was a kid he had jumped off the high-dive to impress his friends. The trick, he discovered, was to never give yourself a chance to reconsider. Climb the ladder, walk to the end, and fall into the water- don’t even think about the jumping. The moment you thought about jumping, you had a choice. You could reconsider. Re-evaluate those pros and cons.

His hand was already on the passenger side door handle before Mike started listening to his doubts. Was this guy insane? Probably, but he was dressed as a vigilante, so it was probably the good kind of insane. Besides, it’d give him something to tell the boys during lunch. He’d have to take a picture with his cell phone.

He opened the door, and Batman got in. Mike got out of the intersection.

“You should put your seatbelt on,” said Mike.

“I need to be ready to tuck-and-roll. Just a precaution,” said Batman.

“Yeah, except I think I would get the fine if we get pulled over. Click it or ticket.”

“Fine.” said Batman. He put on his seatbelt.

They drove beneath more streetlights, power lines, and the lightening sky.

“So,” said Mike, “Why are you Batman?”

“Why do you ask ridiculous questions? I’m Batman because I’m a symbol of justice. The Penguin is going to release a horde or robotic penguins from the subway system, and I have to warn the mayor.”

“So are you one of Batman’s ‘helpers’?”

“No. What do you mean?”

“We’re not in Gotham. I don’t even think Gotham really exists, does it?”

“Guess that explains why I’m not there.”

“I guess.”

Batman stared out the windows. He slid open the cover for the sun roof.

“I have to be wary of attacks from above. My enemies think three-dimensionally.”

“Gotcha,” replied Mike, “So do you have those, what are they, batarangs? No that’s dumb. What are they called again?”

“Yes. Batarangs,” said Batman stiffly, “And yes I do.”

Batman pulled some batarangs off of his utility belt. Mike nodded.

Red light.

“Just run it,” said Batman, “We’re in a hurry.”

Mike stopped.

“You’re killing me. Do you have any idea how urgent this is?” Batman said.

“You know, for being an advocate of justice, you’re sure trying to break the law a lot.”

Batman was silent. Then he spoke.

“So what do you do? What’s your name?”

“I’m Mike. I’m a doughnut delivery guy.”

“I see. You know, it’s people like you that make society run.”

“Is that sarcasm?”

“No.”

“It’s just delivering doughnuts.”

“I think it’s beautiful,” said Batman.

Mike scowled so Batman couldn’t see. They sat in silence for a while.

“This is it,” said Batman. They were at city hall.

Mike pulled up to the curb and Batman was immediately out of the car. He quickly leaned back into the car and shook Mike’s hand.

“Thank you, Mike.”

“Mike Dobbins.”

“Thank you, Mike Dobbins. You’ve done your society a great service.”

“Yeah.”

Batman turned to go, and Mike called after him.

“Hey, if you’re ever around, look me up some time.”

Batman didn’t hear him. He was running up the steps of city hall, where several policemen were waiting with the mayor to usher Batman inside.

The doors had already been closed for a few seconds when Mike yelled out, “Why didn’t you take the Bat-Mobile?”

Green light.

Probably Okay

Have you guys seen Probably Okay yet?

It’s a series of brilliant, absurd, sometimes insightful, and pretty darn hilarious shorts created by Sean Anderson and Michael Golus, creative masterminds, totally nice guys,  (and frequenters of the RobotSoup Forum!).

Bottle Fight

Buoy

Future Mike

They have 30 videos uploaded as I type this, but they’re always putting up more. They’re on facebook here, and overall just pretty fantastic.

Billie the Vision and the Dancers

One of my favorite bands in the entire universe is ‘Billie the Vision and the Dancers’.   They are just fantastic; their music is catchy and loose and joyful and fun, and you can listen and listen and listen to it and it doesn’t get old. One of the very few bands that writes songs I love more the more I hear them (a rare trick!).  If I had to exist in an infinite expanse made of pure music, I’d pick these guys!

They’ve just released a new album, “From Burning Hell to Smile and Laughter”, and once again it’s just awesome.

They release all their music for free download off their website right here, although they welcome donations to their record label, “Love Will Pay the Bills”. You should check them out!  I think I finally have enough spare money saved up so that I can buy their new album, and I am more than a little hyped.

But yes! I can’t recommend checking them out highly enough! They’re not going to be everyone’s cup of tea, but they’ve definitely worth giving a chance!

Updaaaaate

Hey hey! If you get a chance, check out Half Acre Day’s new single, “Skeletons“. They’re releasing one every lunar month this year (unless if I’m grossly mistaken… which is always possible).

Phil just had a meeting with the band to talk over stuff and show them the film, and their reaction has been awesome!!! I’m really hopeful that this will be a helpful piece of synergy for all of us.

Project London, as always, is getting closer and closer to completion! I just wrapped up a previs for the opening animation, and I’m almost done with the ending. The VFX sheet just has one more shot on it… also fantastic!

We have a couple premiere coordinators now, putting a BUNCH of sweet stuff together; this premiere will knock your socks off! If you can make it, do! (No! We don’t know exactly when the premiere is yet… we’re workin’ on it! :D )

The McCoy Brothers and I had a publicity photoshoot thing last Saturday with Mark Studer, getting assets for the soon-to-come press release. Holy cow we got some fun pictures! Marc Studer is a genius.

I’ve been posting weekly updates over at ProjectLondon.net, if you’re interested. The producer reports are also quite fantastic!

Whack-A-Mole

jerrycrow_compressed

Copied From Projectlondon.net

So I’ve definitely bit off slightly more than I can chew lately. But only slightly! It’s like a drawn-out game of whack-a-mole. I wrote out a to-do list the other day, glanced at it, then quickly hid it, so as not to be overwhelmed.

But hey! Most of these tasks will be over within the next couple weeks—so just gotta push on till then!

Until that point, I’m just trying to keep up the momentum that’s built up with Project London as well as I can—had kind of a non-crazy-awesome week last week…

Basically, in order to remain really productive, I need to find the ‘hook’—the thing that keeps me interested and really excited. Last week I didn’t have that. This week I think I’ve found it—a new sequence that’s more or less ready to be attacked.

So here’s hoping! Nate Taylor’s just finished another shot, and it looks fantastic, so I’ll get on rendering that. Pretty darn pumped!

Peace!

Ian

Finale Finally!

Luftballons

Original Post

It’s actually coming together. The entire finale! Finally! The Finale! Is actually coming together!

I’m still riding the wave from Nathan’s involvement a while ago—rendering out all the shots he animated over the months. Nate Taylor’s animating out a few more shots, so hopefully we’ll reach an equilibrium where we’re both animating shots as fast as I can render/composite them.

I think the ending needs more explosions. This is something I feel strongly. The explosions don’t even necessarily need to be motivated—things just exploding is enough.

Also; I’m practicing drawing badgers and moose.

Peace!

Ian Hubert

The Best Secret

So as I was moving out, I found a bunch of old floppy disks, and decided to share the best secret.

bestsecret

I put the secret on the floppy disk, in a standard text file, and left it hidden at a bustop.

Of course, I was also wearing a disguise (Of course I was wearing a disguise!)

Disguise

What was the secret? I really shouldn’t tell you.

Oh, alright.

How to pet a Goldfish:

Get a goldfish.

Put it in a bowl (with water in it, and maybe rocks and a plant)

Feed it sometimes (some sort of fishfood)

You do not need to water it (it is already in water)

Sit by it’s bowl (or tank) until it has become acclimated to your presense (you will know because it will stop giving you the ‘evil eyes’)

Raise your hand over it’s bowl slowly, like a bridge over troubled water, and wait for it to become acclimated to it’s presense (FYI, at first it will think it is a hawk, come to grab it, but give it time! Fish inherently are very trusting)

Put your hand in the bowl (perhaps while holding some of that fishfood?). your fish will freak out- this is normal!

The goldfish will stop freaking out when it begins to believe that your hand is another goldfish (science says this is because goldfish are very susceptible to flattery. I suppose there is a lesson here for us all)

Once the goldfish has stopped freaking out (you will know this because it’s bug-eyes will shrink a little) you can pet it

Pet it slowly and gently, but with a firmness that lets it know you mean business. You don’t want your goldfish to be the boss of YOU!

Soon your goldfish will learn that your hand is a friend, and you can pet it whenever you want. Sometimes it may even leap out of the bowl (and back in) in excitement at the thought of being pet

Some scientists say frequent petting can kill your goldfish.

And… we’re back!

So… I’ve been battling CSS and a billion different problems trying to get the website updated, and yet still keep all the old content-

I half did it. I’ve still got to figure out why all the pictures aren’t really uploading, but we’re getting there!

So yes! Hopefully it’ll keep the same RSS code and everything- we shall see. I’m no good at this tech stuff!

Crazy Changes, Man!

I’ve been reading lots of articles like this, and my head is still chewing them over.

I mean- basically what we’re talking about is something that has the potential to slowly kill the film industry as we know it. In every article I read I keep waiting for them to tell us “The Solution”- the way to stop the changes- but so far nobody’s proposed a feasible one. As far as I can tell, digital media transfer will become easier and easier, and more and more socially acceptable, until we reach a point where the current means of film distribution (and in turn production) are no longer feasible.

Is this bad? I mean, my first instinct is to resist the changes- after all, the industry I grew up wanting to be in could be dying just as I get into it? Because everyone suddenly thinks stealing stuff is OK? It kinda gets me irked.

Filmmaking used to be reserved for the big studios. Sure, you could make a film with your Super 8mm Kodac camera, but anything above that generally became prohibitively expensive (at a feature film length) because of the cost of film stock and processing fees- not to mention all the equipment needed to edit it. And if you wanted your film to be seen by massive amounts of people you needed an outside resource to distribute it. Now, with the revolution of video, filmmaking is possible for most everyone. It really is like Gutenberg’s printing press, because what was once reserved for the Church (Hollywood), was then accessible to most everyone (growing steadily cheaper as the technologies to make books were improved and became more common). The internet now makes distribution more or less free- a process that previously, on a wide scale, generally cost millions of dollars.

But if Hollywood loses it’s competitive edge of “Massive Amounts of Money”, where does that leave us? A future I haven’t really wanted to consider, I guess, until I really think about it.

It’d leave us with hundreds of thousands of people creating independent content, at different levels of quality and entertainment- for the love of the craft. Filmaking finally becomes as much of an art as painting. And just like painting or most any other common medium, the good stuff will stick out above the noise.

It may be of some relevance to note, however, that there is not a multi-billion dollar “Painting Industry”.

I actually think this isn’t a half-bad future for movies. This is an awesome future for movies. It might even be a future I’d be willing to trade my desired career for.

Because the question remains- will it be possible, in this new future, to make money- enough money to support the creation of more films and the creators- off of the films? And how? I’m not optimistic enough to believe that donations would really bring in enough to support a whole film- but we’ll see. I think a complete reimagining of the medium is going to take place at some point in the coming decades, one that will be very difficult to anticipate. It could very well result in the end of “the industry”, but overall, in this competitive rich new atmosphere I think the odds are good we’ll be seeing significantly better films, perhaps more targeted to niche audiences.

All said, films-on-the-cheap are definitely going to be on the rise, and I think it’s great that we’re able to ride that wave.

Robotsoup IRC!

I believe this may mark the first occasion of my referencing the “EPIC FORUM” here in the “BLOG THING”. 

So, Robot Soup now has an IRC channel, set up by Calvin! Feel free to join us at “#robotsoup” . 

If you don’t know what IRC (internet relay chat) is, you can check it out here and learn how to join up, if you feel compelled. 

Lots of cool folks on there. I’m on there, occasionally, when I remember. It’s a party 24/7.

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